no. 115

so it’s been exactly…

two years, ninety-five days.

my fingers are not unused to the keyboard,

although holding a pencil requires more dexterity than

thumbs on the screen of a smartphone.

my hands shake in nervous anticipation.

the thought that someone out there

will revel in, or at the very least, enjoy,

reading what i once more

choose to write.

(written 31 january 2022)

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no. 114

joining the circus

 

when i pluck up my courage

when i become more brave

i will leave everything behind

and join the circus

 

i will begin as the mid-life-crisis attraction

banal to spectators, yet strangely

the most sought-after performer

of hot-flash wails

and hormonal mood-swings

in running mascara

i will bemoan the coming of 55 and 60

as i bound around the stage comedically

in search of a cane to ease

my soon-to-be aching joints

i will attempt to regain youth in

contortionism

perfecting clown-like standing splits and bridge

in the name of showbiz i will dress provocatively

in sequined bodysuits that highlight

my knobbly elbows and knees

sucking in my protruding gut

 

after many years, hundreds of shows,

i will transition

and become the self-assured

story-teller

reminiscing about days past

regaling a tale of young love

as gamine acrobats

theatricize the exquisite

blossoming of life

my rheumy eyes shining

i will have a wreath of flowers

in my white curls

and a rocking chair to sit upon

i will smile benevolently at the

audience, who hang on my every word

 

at the imploring of the ringmaster

himself a crotchety mustachioed fellow

who desires the limelight

even more than i

i will urge my nonagenarian body

to assume the form of a spritely

dancer

that which i always wished to be

he will entreat me to join him

in a waltz

and the spot will trail us around

the ring, the only star in the dark

night of the big top

(written 15 september 2019)

 

no. 113

milonga

he holds her

the arch of her back, her heart

in the palm of his hand

they stand

barely moving

she gives him leave

to proceed

they sway

the reach of his leg

the wīnd of her arm

as it curves

in that manner

peculiar to the embrace

the cross of her feet

the twist of his hips

all this anticipated

with great consideration

and then the music

begins

(written 1 september 2019)

no. 112

advice to self

when having a crisis of faith

and of character

meditate

contemplate

reflect on the transience

of all things living

and already expired

clarity?

confidence of conscience?

conundrum of conviction?

or

is there nothing

fraught with naught but

the thought

that the indecision

brought about by

years

both too many and too few

to make a mistake

in that moment

just stand still

and find comfort

in the fallibility

and the imperfection

the knowledge that

others have tried

and

succeeded

and tried

and failed

and still move forward

into the unknown

(written 14 august 2019)